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TORONTO 
SYM PHONY 
ORCHESTRA 



SIR ERNEST MacMILLAN, Conductor 

Twentieth Annual Prospectus 


MASSEY HALL 

1941 - 1942 





T HE Board of Directors of the Toronto Symphony Orchestra Association takes pleasure in announcing plans for 
the Orchestra’s Twentieth Anniversary series of concerts. 

The Subscription Series will consist of the usual ten Tuesday Evening Concerts, four Children’s Orchestral 
Matinees, and a new series of four popular-priced Evening Concerts for Secondary School Students. 

More and more people are finding the Toronto Symphony Concerts not only a source of entertainment, but also 
an unfailing means of inspiration. The interest and enthusiasm of the capacity audiences have never been more apparent. 
More than one thousand members of Canada’s armed forces and many British war guests have attended our concerts 
as guests of the Association during the past season. 

At the close of the 1940-41 season the series ticket subscription for the Orchestra was the largest in our history 
and indications are that it will be even larger for the coming season. Those who enjoy the concerts most are the 
season ticket holders who attend regularly and thus participate in the varied programme offerings of the season’s con¬ 
certs. 

The Directors of the Association urgently request present subscribers who wish to retain their seats for next season 
to make application on the attached form as soon as possible and, in any case, not later than April 19th, 1941. Those 
who are not subscribers are urged to make application for reservations at once, as the desirability and economy of season 
subscriptions is obvious. 

Sir Ernest MacMillan will commence his tenth season as Conductor of the Orchestra. During this period the 
Orchestra has shown remarkable growth in musical achievement and now ranks as Canada’s leading Symphony Orches¬ 
tra. Sir Ernest has presented many Canadian artists whose abilities were beyond question but who had not before won 
the public recognition they deserved. He has also included in his programmes many worthwhile works by Canadian 
composers. 

Following the policy of presenting a large proportion of Canadian artists who have won distinction in the concert 
field, the Association will again present at least five soloists who live or were born in our Dominion. Two world-famous 
instrumentalists—Artur Rubinstein, pianist, and Joseph Szigeti, violinist, have been secured to round out a very attrac¬ 
tive list of guest artists. The Conservatory Choir will join forces with the Orchestra in an outstanding choral work to 
be announced later. A special programme commemorating the one hundred and fiftieth anniversary of Mozart’s death 
will be presented during December. 

Our sincere thanks is extended to all those who contributed to the Sustaining Fund of the Orchestra Association 
for their support during 1940-1941. 



ERNEST SEITZ, brilliant To¬ 
ronto pianist, will be making his 
sixteenth appearance with the Or¬ 
chestra. Mr. Seitz was one of the 
first pianists to appear with the 
Orchestra and was the first to draw 
a capacity audience at our con¬ 
certs. It is a great pleasure to 
have this fine artist during our 
Twentieth Anniversary Season. 


JEANNE DUSSEAU, Scottish 
Canadian Soprano, will be the solo¬ 
ist at the opening concert of the 
Orchestra’s twentieth season. Since 
1937 Madame Dusseau has been 
the leading soprano of the Sadler’s 
Wells Opera Company. She re¬ 
cently returned to Canada after 
harrowing experiences in London's 
air raid shelters. Prior to her en¬ 
gagement in England, Madame 
Dusseau was with the Chicago 
Opera Company. 


GUEST ARTISTS 


KATHLEEN PARLOW. inter¬ 
nationally famous violinist, has been 
re-engaged for next season. Miss 
Parlow, long hailed as one of the 
world’s most famous violinists, is 
well known on both sides of the 
Atlantic. Born in Calgary, she 
celebrated her thirteenth birthday 
playing with the London Philhar¬ 
monic Orchestra. She has been 
soloist with all the leading Sym¬ 
phony Orchestras, appearing six¬ 
teen times as guest artist with the 
Boston Symphony. 


ARTUR RUBINSTEIN, world- 
famous pianist, will be making his 
first appearance as soloist with our 
Orchestra. He has been hailed as 
the most exciting pianist of our 
time and is probably the busiest of 
top-ranking artists, appearing regu¬ 
larly with the New York Philhar¬ 
monic Orchestra and the Philadel¬ 
phia Orchestra. Born in Poland, 
he made his American debut in 
1906 . 





Concert Dates and Major Works to be Performed in the 
1941-42 Subscription Series 
Programmes subject to alteration 

Tuesday, October 2Uh —JEANNE DUSSEAU, Soprano. 

Benjamin Britten—llrnt Juic (Suite oE Catalan Dances) 
Haycln — (Symphony No. a 3, in G 
Tscbaikowsky — Symphony No. 4 in F minor 

Tuesday, November llt/i —ERNEST SEITZ, Pianist. 
Mackenzie—Overture "Britannia" 

Bach Mazzoleni— Prelude on "A Safe Stronghold our God 
is still." Concerto to be announced. 

Beethoven—Symphony No. 3 in E flat (Eroica) 

Tuesday, November 25th —KATHLEEN PARLOW, Violinist. 
Ravel—Suite "Ma Mere 1'Oye” (Mother Goose) 
Tschaikotvsky-MGoncerto in D for Violin and Orchestra 
Brahms — Symphony No. 4 in E minor 
Tuesday, December 9th— MOZART PROGRAMME. 

(150th anniversary of Mozart’s death occurs on Dee. 5th, 

“Jupiter” Symphony 

"Eine Kleine Nachtmusik” (A little Nocturne) 

Sinfonie Concertante, for violin and viola with Orchestra, 
the solo parts to be played by Elie Spivak and Cecil 
Figelski 

Tuesday, January 5th —ELLEN BALLON, Pianist 
Handel-Elgar — Overture in D minor 
William Walton — Symphony 

Vaughan Williams—Fantasia for Strings on a Theme of 
, Thomas Tallis 

Concerto to be announced 

Tuesday, January 20th— SPECIAL PROGRAMME WITH 
CONSERVATORY CHOIR. To be announced. 
Tuesday, February 3rd- ARTUR RUBINSTEIN, Pianist. 
Beethoven—Symphony No. 4, in B flat 
Brahms—Concerto No. 2 in B flat for Piano and Orchestra 
Arthur Benjamin-Overture to an Italian Comedy 
Tuesday, February 17 th —ORCHESTRAL PROGRAMME. 
Bach — Brandenburg Concerto No. 3 in G 
Sibelius — “The Swan of Tuonela” 

Elgar — Variations on an original Theme (“Enigma”) 
Debussy — The Afternoon of a Faun 
Rimsky-Korsakov—Scheherazade 
Tuesday, March 3rd —JOSEPH SZIGETI, Violinist. 

Delius—“The Walk to the Paradise Garden” 

Schumann—Symphony No. 4 in D minor 
Brahms—Concerto in D major for Violin and Orchestra 
Tuesday, March 17th —PROGRAMME TO BE CHOSEN 
BY THE ORCHESTRA. 



ELLEN BALLON was born in 
Montreal and startled the musical 
world by making her concert debut 
at the age of three and a half 
years. She has appeared through¬ 
out the United States, Canada and 
Europe. Five years ago Miss Bal¬ 
lon went to Europe where she tour¬ 
ed with great success the Scandina¬ 
vian countries on the International 
Celebrity Concert Series. She re¬ 
turned to the American concert 
stage last season with a recital at 
New York Town Hall. 


JOSEPH SZIGETI is probabl 
the greatest of contemporary vio- 
jinis ts. He is often referred to as 
the “Philosopher of the Violin” and 
“The Musicians’ Musician”. Szigeti 
made his debut at the age of thir¬ 
teen and has lived most of his life 
in London and Paris with regular 
trips to America for concert tours. 
He appeared with the Orchestra in 
1934 and received a tremendous 
ovation for his playing of the Bee¬ 
thoven Concerto. 




SUBSCRIPTION FORM 


SEASON 1941-1942 


P:e7su S b“cZ ti0n | .*. 

..each for the Ten Tuesday Evening Concerts by the Toronto 


Symphony Orchestra. 

If new subscriber, check location desired 


FLOOR □ 
BALCONY □ 
GALLERY FI 


I enclose herewith my cheque for $--——. as payment in 

full. 

part. Name...—.-...i. 

Address ...—.—-.-.. 

Telephone.-.-..- 

(Make Cheque Payable to The Toronto Symphony Orchestra Association. ) 











Season Ticket Informati 


ion 


Subscriptions for the series of . ten regular 
concerts are sold at a 20% discount off regular 
box office prices; subscr.oers receive their tickets 
for the entire series prior to the opening concert 
and thus, in addition to a substantial cash sav¬ 
ing, are relieved of the problem of lining up at 
the box office on concert nights to obtain their 
tickets. 

PRESENT SUBSCRIBERS have priority 
of choice of location and may retain their same 
seats for the coming series. Saturday, April 
19th, is the last day that this privilege can be 
exercised. 

NEW SUBSCRIPTIONS are filled in the 
order in which they are received and are on 
sale daily from 10.00 a.m. to 4.30 p.m. at the 
Symphony Office, 178 Victoria Street. Reserva¬ 
tions should be made promptly if choice loca¬ 
tions are desired. 

Season ticket orders for less than the full 
series cannot be accepted at the reduced subscrip¬ 
tion price, which is based upon the subscriber 
taking the entire series. Those who cannot 
attend the full series are urged to share a sub¬ 
scription with a friend. Tickets make ideal gifts 
for any occasion. Season tickets are payable in 
advance, but upon application the management 
will arrange convenient terms for those unable 
to pay the entire amount at the present time. 

Subscription prices (1 seat for ten concerts) : 


$2.50 seats . $20.00 

2.00 “ . 16.00 

1.50 “ 12.00 

1.00 “ ......... 8.00 

-75 ? . 6.00 

.50 “ . 4.00 


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